RSNO Work Experience: Thea Sands

Renfrewshire's Young Ambassador, Thea Sands, describes what work experience with the RSNO means to her.

               

I’ve always been interested in the arts but only in the past year or so has music really started to form an integral part of my life. I constantly have odd little pieces of music circulating through my thoughts, often causing my brain to take diversions and become completely distracted from the task at hand but I love it! Sometimes it’s hard to ignore and I have to give in to the glory of the music by frantically dancing around to obscure polyphonic melodies, impersonating the violins with my dulcet - often terrifyingly off key - tones or by simply grabbing the nearest pen in site and taking centre stage as a flamboyant conductor with my biro for a baton! I often fall into trances where I become totally transfixed with a piece of music; all other sounds become muted and I can do little else but stare into space trying to comprehend the music in my own little world. I first fell under the spell of classical music when I burst into tears upon hearing the first few bars of Bach’s B minor Mass. I find the power classical/orchestral music holds to evoke emotions and communicate utterly enthralling.

I’m really passionate about helping other young people experience similar feelings with regards to classical music … and all music for that matter! It’s so important for me to help others explore forms of music, even if that means influencing someone to attend one concert resulting in them deciding it’s not for them. It’s essential that they have at least tried it before disregarding the form. With this in mind, the opportunity to become a Young Ambassador for the RSNO seemed absolutely perfect! I get to promote live orchestral music and work within my own community to try to enhance the integration of this musical form into youth culture. My aim is to effectively act as a ‘doorway’ for young people establish a route into classical music and other diverse realms of music.

The ideology behind increasing accessibility for the arts comes quite naturally to me and I find it easy to talk about integration with people similar to my age group and adults. I’m brimming with ideas for projects/schemes and events which may boost this integration. It’s obvious that the perception of classical music really needs to undergo a form of modulation in order to get young people interested. I’m here to instigate change!

One of my major resolutions for 2014 is to simply delve into the world of music and get involved with further Youth Arts strategies. I’m going to continue to follow my love of Classical/orchestral music and see where it takes me and try and introduce it to those who have never experienced it before. I’m determined upon finding that spark that will get young people interested in Classical music.

Thea Sands

Thea is part of the RSNO's Young Ambassador scheme, arranged by the Learning and Engagement Department. All views expressed by Young Ambassadors belong to those of the individual and are not representative of the organisation. For more information, visit the RSNO website.

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Young Ambassadors Forum #1: Seona Glen

Stirling's Young Ambassador, Seona Glen, describes the first Young Ambassadors Forum and Lugansky Plays The Emperor, Sat 23rd Nov at the Glasgow Royal Concert Hall.  

On Saturday 23rd November, the new RSNO Young Ambassadors met for the first time, at the Glasgow Royal Concert Hall. The young people came from all over Scotland, with one member making a six hour round trip to come to the event. The evening kicked off with a photo shoot with the RSNO in rehearsal behind us, which had all of us very excited. Afterwards, we worked in groups to discuss our ideas about how the RSNO and classical music in general might become more accessible to young people. It soon became clear that there was a shared determination amongst us to help more people our age reap the benefits of involvement in classical music.

After having got to know each other, the Young Ambassadors attended the concert which was taking place that evening, Lugansky plays the Emperor. The concert opened with a very moving interpretation of Messiaen’s Les Offrandes Oubliées. Before the performance Peter Oundjian, Music Director of the RSNO gave a the audience a meaningful insight into the piece, which helped me to really listen to the piece at a deeper level than I might have otherwise. Next, the phenomenal Russian pianist Nikolai Lugansky took to the stage, where he performed with the orchestra a stunning rendition of Beethoven's Piano Concerto No5, better known as the Emperor. The great energy shown on stage by all was transferred to the captivated audience. For me the highlight was the piano's first entry in the second movement, which the musicians handled sensitively to create a very special moment in the room.

Lastly in the programme was Rachmaninov's Symphonic Dances, of which the RSNO gave yet another first-rate performance. This was followed by enormous applause, but before too many had managed to get their coats on, the orchestra surprised us with an energetic encore of one of Brahms' Hungarian Dances, which ended the concert with a flourish.

I think I speak for all of the Young Ambassadors when I say it was an inspirational evening, and I very much look forward to our next meeting in February.

Seona Glen 

Seona is part of the RSNO's Young Ambassador scheme, arranged by the Learning and Engagement Department. For more information, visit the RSNO website.

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Young Ambassador Interview: Nicola Benedetti

RSNO Highland Young Ambassador, Susannah Mack, interviews Nicola Benedetti

I recently had the incredible opportunity to interview the one and only Nicola Benedetti before her concert with the RSNO. She was amazingly welcoming and kind and I’m truly grateful for her brilliant answers.

Scotland is verging on a very exciting time for classical music. Due to hard work, fantastic projects and great role models such as Nicola, I think there is a new lease of life into the classical world on the way. For example, look at the new RSNO youth projects and the expanding national youth orchestras with the new junior and senior orchestras already making headlines, and the regional orchestras across the country are getting more exciting all the time. After having said that, there are huge regional differences. In the Highlands we are lagging behind the rest because of remoteness and very limited musical experiences on offer.

I asked Nicola if she thought she might not have still had her opportunities if she had grown up somewhere more remote.

I definitely do. I think I was very lucky to have a Suzuki programme near to where I was, and to have parents that we able to take me to that and in me consistently getting the opportunities I needed in order to become a violinist. There’s only so much your talent can do for you. The rest is about good teaching, the right kind of exposure and enough people around you encouraging you to work hard at it. If you don’t have those things you can be as talented as you like but it’s very unlikely that you’re going to be able to develop that and make the most of it. Especially within classical music because of the level of expertise you have to learn.

The RSNO Young Ambassadors have been selected to encourage more young people into concert halls. What are your opinions on how to do this?

I don’t think it takes much, actually, whenever I’ve invited young people to concerts they’ve really enjoyed it. There are barriers which we can break down, and it’s a combined effort to make new people and young people feel welcome. There are some people who can really be quite hostile - staring and glaring if anyone makes a slight noise or does anything out of the ordinary in terms of the protocol - so all of the work can sometimes be undone, and we don’t want to have people being worried about doing something wrong, we want them to be relaxed and enjoying themselves. Maybe if it’s someone’s first time then give a brief explanation of what usually happens such as waiting to clap at the end of a piece - although personally I don’t mind when they clap they can clap in the middle of a movement and I won’t care! Just give them a little bit of a run-down of how it is in a classical concert hall. I think it helps a lot.

What if we adapted this idea to involve school children in music from a much earlier stage? What do you think we should be proud of in terms of musical education and what she thinks we should change?

I think at the moment there is a lot to be proud of especially in international comparisons. I think Scotland has done particularly well in protecting our culture budget and protecting their cultural education focus. I so wish that every single child in Scotland could have the chance to hear music, and have a music teacher in every school to take time to listen to all sorts of music, making it their job to expose their favourites to children of all ages, with different levels of complexity, and share with the kids their enthusiasm for listening to it, share with them why they enjoy it and why they were so moved by it. And then, obviously, I’d love for every child to have the chance to learn to play an instrument and to play in groups together. First of all it’s so unbelievably difficult; you need so much patience, concentration and perseverance which are skills which will take with you through life and into your future. And playing in a group teaches you so much about listening to one another, about being a more open and better person, and about working together. And so I wish there was an orchestral programme in every school.

Nicola is very active in the Sistema Scotland project, which transforms lives and communities through music. I wondered if we could potentially adapt this project to spread across the whole country, and I was delighted to hear that the project is being taken on elsewhere - already in Govanhill and another underway in Aberdeen. 

I think once the momentum gets going it’s just going to blossom. It takes such a devoted number of people to make something like that work, it takes a lot of funds and it takes a huge amount of support. I think they really proved themselves in Raploch and I think that made a big difference, gaining a very warm reception in Govanhill as they probably will in Aberdeen. It’s definitely their intention to run the programme out elsewhere and now they have government funding which shows to me that it’s something the government would like to see scattered across the country in as many cities and towns as they can.

It’s not every day that you meet one of your heroes, and to be offered their thoughts and ambitions in response to your questions. I think the biggest outcome from my interview with Nicola Benedetti is that by sharing our love of music, offering positive role models and by creating exciting new activities, we will be able to transform the future of classical music.

Susannah Mack

Susannah is part of the RSNO's Young Ambassador scheme, arranged by the Learning and Engagement Department. For more information, visit the RSNO website.

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Young Ambassadors Forum #1: Kelsa McDonald

One of the Fife Region's Young Ambassadors, Kelsa McDonald, describes the first Young Ambassadors Forum and Lugansky Plays The Emperor, Sat 23rd Nov at the Glasgow Royal Concert Hall. 

On Saturday the 23rd of November it was the first chance for the Royal Scottish National Orchestra Young Ambassadors to meet and attend the first concert. The Ambassadors come from all over Scotland but all share the same passion: classical music. The concert was “Lugansky Plays the Emperor” which was conducted by Peter Oundjian and featured the RSNO along with Nikolai Lugansky, a renowned pianist.
 
After arriving, myself and the other Ambassadors were taken into the concert hall for a hurried photo opportunity. At that point in time the orchestra were warming up and running over the material for the night ahead. It was almost dizzying to look down and see the cluster of people and instruments so far below us.

Once the photo shoot was over we returned to the VIP lounge where we had the opportunity to introduce ourselves and have a small discussion about RSNO Schools Concerts. After stating our name, school, what instrument/s we play, and what part of Scotland we were from we split into small groups to gather ideas. The discussion was a great success and it was interesting to see so many different ideas being presented, showing just how much of an input young people can have in classical music!
 
When the time came to watch the concert I was particularly excited. I enjoy listening to piano music and watching live performances is always so different to simply hearing it or watching it through a screen. The conductor, Peter Oundjian, was interesting and informative when introducing the musical pieces, but was also brief. The show commenced with a lively piece of music by French composer Marais before Lugansky took to the keys to perform Beethoven’s Emperor Concerto. The time flew by and before I knew it, the second half had begun. It featured a set of Symphonic Dances by the Russian composer, Rachmaninov, and finished with another dance, this time by Brahms.
 
The evening was very enjoyable and I’m eagerly awaiting the next concert. There’s nothing quite like seeing classical music, or any music for that matter, performed live. Hopefully more people decide to head along to a concert and discover this from themselves!
 
Kelsa McDonald

Kelsa is part of the RSNO's Young Ambassador scheme, arranged by the Learning and Engagement Department. For more information, visit the RSNO website.

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Young Ambassador Review: Handel's Messiah

 Fife Young Ambassador, Kelsa McDonald, describes the performance of Handel's Messiah, Thursday, January 2nd, at Glasgow Royal Concert Hall

On the 2nd of January I was lucky enough to see Handel’s Messiah performed at Glasgow Royal Concert Hall. Unlike the last concert I was at, the RSNO Chorus were present, and there were fewer musicians in the orchestra. There was a harpsichord and a chamber organ, which were particularly interesting for me as I learned about these instruments in school, but have never seen them on stage until now. The oratorio is a term that is taught in music classes but it’s certainly different seeing it performed live than hearing excerpts from it played on a CD player!

Composed by George Frederic Handel in 1741, the famous oratorio features recits and arias, choruses, including the Hallelujah Chorus, and a very brief pastoral symphony. The Messiah was conducted by Jonathan Cohen, who is described as one of “Britain’s finest young musicians”. The arias were performed by four soloists: a Soprano (Lydia Teuscher), a Countertenor (Tim Mead), a Tenor (Benjamin Hulett), and a Bass-Baritone (Neal Davies). As a singer myself, Lydia’s solos and duet with countertenor Tim Mead were particularly enjoyable. I find performing songs from the classical repertoire to be both challenging and rewarding, and watching a professional soprano has inspired me to continue learning these types of songs.

The RSNO Chorus has given me an idea of where I can continue singing as a member of a choir after I leave school. I’ve been a member of Beath’s Junior and Senior Choirs and enjoy singing as part of a group as much as I enjoy singing by myself.

The performance was uplifting and thoroughly enjoyable, and I’m certain that many people left feeling that. It was a wonderful way to start the new year!

Kelsa McDonald

Kelsa is part of the RSNO's Young Ambassador scheme, arranged by the Learning and Engagement Department. For more information, visit the RSNO website.

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Young Ambassador Review: Christmas Concert

Stirling's Young Ambassador, Seona Glen, reviews the Christmas Concert on Sat, 21 December at Glasgow Concert Hall.

In a complete contrast to the Brahms concert I attended the previous weekend, the RSNO took to the stage with Christopher Bell, Chorus master of the RSNO Junior Chorus, as conductor. Very much in the Christmas spirit, the Orchestra performed a number of Christmas pieces, both classics and new arrangements.

The highlight for me was undoubtedly the Orchestra's enchanting performance of The Snowman by Howard Blake. The work was performed alongside the film shown on the big screen, a guest narrator, and a young boy who sweetly sang Walking in the Air. The audience entered a different world as the piano played the famous opening chords. We were brought through a great variety of music, from the beautiful, well known song as the Snowman and boy flew through the air, to the cheerful Dance of the Snowmen, and finally the magical yet sad reappearance of Walking in the Air on the piano. I left the auditorium, as I imagine many others did, in a trance.

After the interval, the mood changed and things became much livelier. The Orchestra performed many pieces with RSNO Choruses, but none left us feeling more in the Christmas spirit than The Penguin Song, in which Chistopher Bell had every person, adults included, hopping about and looking rather daft, while some trombonists unexpectedly appeared at the front of the stage, dressed as penguins! It was a very warm and entertaining evening, and I can't imagine a single person didn't leave the concert hall feeling lifted.

Seona Glen

Seona is part of the RSNO's Young Ambassador scheme, arranged by the Learning and Engagement Department. For more information, visit the RSNO website.

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Young Ambassador Review: Benedetti and Elschenbroich Play Brahms

Stirling's Young Ambassador, Seona Glen, reviews Benedetti and Elschenbroich Play Brahms, Sat 14 Dec at Glasgow Royal Concert Hall

The evening at Glasgow Royal Concert Hall kicked off with a pre-concert talk with a difference. Having enjoyed previous talks, I brought my family along, only to find out that Nicola Benedetti and Leonard Elschenbroich themselves would be speaking about the Brahms Double Concerto for Violin and Cello! William Chandler, Associate Leader of the RSNO, asked the couple questions, and the audience listened intently to an in depth discussion about what the masterpiece means to the musicians, and what they have tried to do with it. Nicola described how to her the piece was mostly two voices in agreement, often finishing each other's phrases, with the occasional 'argument'. Leonard and Nicola both agreed that having played together a great deal, they are both very in tune with each other's playing, which did make the rehearsal process easier, but that in order to really connect on stage, they have had to discuss extensively their ideas about each musical phrase. William proceeded to give insight into the two other works which the RSNO would perform with spirit that night: Ravel's Valses nobles et sentimentales, and Lutoslawski's Concerto for Orchestra.

When it came to the concert, I was really able to understand what the musicians had described, and it made the performances all the more interesting. First, the RSNO began with Ravel. The audience enjoyed some sweet melodies from the wind and strings, while there was no shortage of enthusiasm from the orchestra in the more animated sections, in which the percussion section shone through.

There was more to come, however, when the RSNO was joined by the two virtuoso players, Benedetti and Elschenbroich to perform the Brahms Double Concerto. The rhythmic and decisive opening had me captivated, and the pair played with undeniable passion, which the orchestra mirrored. I was particularly interested in what was said during the pre-concert talk about the two instruments being mostly in agreement, and I especially listened out for that, which brought an extra element of interest to the piece for me. The musicians on stage received a well-deserved applause, and the crowds dispersed for a short interval.

On return, the audience's attention was quickly captured with the very sinister opening of Lutoslawski's Concerto for Orchestra, which gave the percussion and lower strings the chance to shine. The piece was tackled with great energy and made for a powerful performance, which had me and the rest of the audience gripped. We couldn't have asked for a more unforgettable finale.

Seona Glen

Seona is part of the RSNO's Young Ambassador scheme, arranged by the Learning and Engagement Department. For more information, visit the RSNO website.

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Young Ambassadors Forum #1: Rebecca Smith

West Lothian's Young Ambassador, Rebecca Smith, describes the first Young Ambassadors Forum and Lugansky Plays The Emperor, Sat 23rd Nov at the Glasgow Royal Concert Hall. 

Repertoire:

Beethoven: Piano Concerto No. 5 (Emperor) 

Rachmaninoff: Symphonic Dances
Encore: Brahms: Hungarian Dance No. 6 

The RSNO were on top form last night on the evening of our first RSNO Young Ambassador meeting. It was great to meet all the fellow ambassadors from across Scotland who are all so passionate about bringing music to young people! After our photo shoot we got down to the nitty gritty, and discussed in groups the ways in which we think we can improve the appeal of the RSNO and classical music to our peers. We were excited to find out that work experience for each of us will be arranged in June where we will get to work within our chosen area of the orchestra. We are potentially going to put on our own concert in an unusual venue to invite our friends to, allowing us to bring our favourite music to people our own age. We are really going to make a difference to youth music!

To begin the concert, the colours of the music by synesthete Messiaen were incredible, and were beautifully contoured by the world-class musician’s from the orchestra. The power of the orchestra was not with-held through the Emperor which was fantastic, and the powerful playing from Lugansky added his own passion to the piece. The intricate passage work from the wind section in particular in Symphonic Dances was extraordinary, and I loved the trumpet fanfare. The violin solo from the leader of the orchestra was exceptional, with a wild Russian edge to the sound and rich tone colour. The encore of Brahms was wonderful, and probably my favourite part of the whole concert!

I look forward to the developments of the Young Ambassador team over the next few weeks, and am excited to be attending the RSNO’s ‘Benedetti and Elschenbroich play Brahms’ on Saturday 14th of December at 7.30pm in the Glasgow Royal Concert Hall. Hope to see you there!

Rebecca Smith

Rebecca is part of the RSNO's Young Ambassador scheme, arranged by the Learning and Engagement Department. For more information, visit the RSNO website.

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Young Ambassadors Forum #1: Heather Mitchell

South Lanarkshire's Young Ambassador, Heather Mitchell, describes the first Young Ambassadors Forum and Lugansky Plays The Emperor, Sat 23rd Nov at the Glasgow Royal Concert Hall. 

   

 Nikolai Lugansky. Photograph by Marco Borggreve

Saturday 23rd of November marked the first RSNO Young Ambassadors forum, where chosen Young Ambassadors from across Scotland gathered in the Glasgow Royal Concert Hall and met for the first time. It was great to meet so many talented young people who share so much passion and enthusiasm for classical music.

After a photo shoot we put our musical heads together and came up with some fresh ideas with regards to attracting young people across the country to classical music and in particular the RSNO.

Following our meeting we were invited to attend the concert Lugansky plays The Emperor where the RSNO and Musical Director Peter Oundjian conducted the concert with a fantastic performance of Les offrandes oubliées by Messiaen. The orchestra were then joined by Russian pianist extraordanaire Nikolai Lugansky who played the Emperor (Piano Concerto No5) by Beethoven. I particularly enjoyed the intricate piano sections which created tension and had us Young Ambassadors on the edge of our seats! A short interval (and copious amounts of chocolate) later we welcomed back the RSNO who put on an outstanding performance of Rachmaninov’s Symphonic Dances which featured exceptional playing from each individual section in the orchestra, I was particularly impressed by both the woodwind and percussion sections!  The highlight of the concert was most definitely the encore of Brahms, an exciting and lively dance!

I look forward to working with the learning and engagement team and meeting with the Young Ambassadors to share ideas again soon! Upcoming concerts which I hope to attend include Benedetti and Elschenbroich Play Brahms, Pictures at an Exhibition featuring soloist Jackand of course the RSNO Christmas concert which will take place on the 21st of December in the Glasgow Royal Concert Hall.

Heather Mitchell

Heather is part of the RSNO's Young Ambassador scheme, arranged by the Learning and Engagement Department. For more information, visit the RSNO website.

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Young Ambassador Review: Highland Youth Orchestra

Inverness Young Ambassador, Elizabeth Barke, describes the Highland Youth Orchestra concert, Sat 23rd Nov at Macdonalds Highlands Hotel

Repetoire: 

Tchaikovsky Nutcracker Suite op. 71a

Miniature Overture

March

Dance of the Sugar Plum Fairy

Arabian Dance

Russian Dance (Trepak)

In this session with the orchestra it was a great honour to work with Gary Walker as conductor. As well as conducting many prestigious orchestras throughout the world he was the principle guest conductor of the RSNO 2003 - 2007

The Nutcracker composed by Pyotr Ilyich Tchaikovsky is one of my favourite pieces of classical music especially around Christmas time, as the story follows a young girls dreams on Christmas Eve about a nutcracker doll she has been given. The Nutcracker Ballet was first performed at the famous Mariinsky Theatre in St Petersburg, Russia.

The lively start of the Miniature Overture from the Nutcracker really captured the audience as we painted the picture of an exciting Christmas Eve. Proceeding into the March left the audience wanting more as they were left with the abrupt ending. The delicate pizzicato led into the magical tune on the celesta of the Dance of the Sugar Plum Fairy. I feel that the orchestra really created the image of the elegant ballerina performing that famous dance. Next the quiet Arabian Dance prior to finishing with the fast and exciting Trepak. The Trepak is my personal favourite movement in The Nutcracker, I particularly love the accelerando as the orchestra crashes into a dramatic ending.

Elgar The Wand of Youth Suite no.1

Overture

Serenade

Minuet (old style)

Sun Dance

Fairy Pipers

Slumber Scene

Fairies and Giants

The Wand of Youth Suite no.1 was first performed in London during 1907. Edward Elgar based the music on a family play he wrote at the age of 12. The seven contrasting movements are rarely performed in concert. I really enjoyed the fourth movement, Sun Dance. This lively dance is dominated by the woodwind section. I love the feeling of the violins fighting for the main tune however the woodwind section refuse to let them take over. After a brief dark passage the orchestra unites and scurries into a rousing close.

The highlight of the concert for me was the encore of the Trepak from the Nutcracker.

I am very excited to be a young ambassador for the RSNO. Our aim is to engage young people in classical music and I hope that blogging will become a vital part of this.

Elizabeth Barke

Elizabeth is part of the RSNO's Young Ambassador scheme, arranged by the Learning and Engagement Department. For more information, visit the RSNO website.

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Young Ambassador Review: Oundjian Conducts Dvořák Seven

Stirling's Young Ambassador, Seona Glen, reviews Oundjian Conducts Dvořák Seven, Sat 12 Oct at Usher Hall, Edinburgh.

Solo Cellist Sol Gabetta. Photograph by Marco Borggreve

Firstly, I completely loved the whole concert!  It was quite unlike any I have been to before.  The Britten was a fantastic way to open.  The first few powerful bars had me gripped, and the huge sound was overwhelming.  The piece was well chosen, and I thought it was a great way to introduce any newcomers to orchestral music present to the RSNO, in preparation for the perhaps less accessible cello concerto.  Judging by the applause at the end, the rest of the audience enjoyed this piece as much as I did.  I particularly liked the way Oundjian asked each section to stand, as it allowed people in the stalls to see all the players and their instruments in the more hidden sections towards the back.

I thought the cellist, Sol Gabetta, was phenomenal.  Her enthusiasm and body language brought a lot to the whole performance for me, and in some of the sections where the cello stood on it’s own, she had the audience completely captivated.  I especially enjoyed the way you could see a strong connection between her and both the the first violins and the cellos. It was most certainly worth it to get such a close up view of the outside players and of Gabetta’s playing.  As a violin learner I found it fascinating to watch, and I would encourage any other strings learner to sit in the first few rows, so as to watch how the professionals perform.

I am very much looking forward to seeing another RSNO concert soon, and as I have seen many performances in the Glasgow Royal Concert Hall, I would be interested to hear how the orchestra sounds in the Usher Hall.

Seona Glen

Seona is part of the RSNO's Young Ambassador scheme, arranged by the Learning and Engagement Department. For more information, visit the RSNO website.

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Young Ambassador's Forum #1: Niamh Mackaveney

Argyll and Bute Young Ambassador, Niamh Mackaveney, describes the first Young Ambassadors Forum and Lugansky Plays The Emperor, Sat 23rd Nov at the Glasgow Royal Concert Hall.

Saturday the 23rd of November saw the first meeting of the RSNO Young Ambassadors at the Royal Concert Hall in Glasgow. It was so refreshing to meet other young people from all over Scotland who had similar interests and were clearly passionate about the subject at hand.
 
The idea behind the Young Ambassadors is to try to encourage young people to take an interest in classical music and make it accessible for everyone and in particular our peers. The level of enthusiasm that came from these talented people was overwhelming and made me feel as though we could really make a difference. After a photo-shoot in the main auditorium, which provided a good ice breaker, we were split into groups to discuss youth engagement, how we felt our generation viewed classical music, and how the RSNO specifically could make it more accessible.
 
At the concert, the RSNO opened with Messiaen's Offrandes Oubliees, a powerful piece which created an almost palpable tension throughout the audience. The string section was particularly spectacular in this piece as it added an unsettling and eerie feel. The impressive presence of Nikolai Lugansky then joined the Orchestra on stage. With an understated brilliance he showed us why he is a world class pianist with a beautiful rendition of Beethoven's Emperor. I sincerely look forward to my year as a Young Ambassador for the RSNO, and hope to attend as many of their brilliant concerts as possible.
 
Niamh Mackaveney
 
Niamh is part of the RSNO's Young Ambassador scheme, arranged by the Learning and Engagement Department. For more information, visit the RSNO website.

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Young Ambassadors Forum #1: Natalie Brayshaw

One of the Highland Region's Young Ambassadors, Natalie Brayshaw, describes the first Young Ambassadors Forum and Lugansky Plays The Emperor, Sat 23rd Nov at the Glasgow Royal Concert Hall.

On November 23rd, I travelled to Glasgow to meet with some of the other newly appointed Young Ambassadors for the RSNO. Having never encountered any of these people before (aside from having a nosey on Facebook!) I had no idea what to expect and was pretty nervous to meet them. But after all the introductions had taken place, I was just excited for us to get started.

We started by having our photograph taken in the concert hall itself, while the RSNO rehearsed behind us. I was struck by how odd it was to see them in casual clothes, not in the smart performance outfits I was used to. After several hushed photos, we headed back to the meeting room to come up with our first ideas.

In our groups, we came up with ideas such as making classical music more relatable to young people - for example by using classical music that has been made well known by films. We also discussed making it more accessible, by trying to change the perception of classical music as something only for older generations.

After this, we were given the opportunity to attend ‘Lugansky plays the Emperor’ conducted by Peter Oundjian. The concert opened with the RSNO’s enthralling performance of Messiaen’s ‘Les Offrandes Oubliées’ (which translates as the Forgotten Offerings), before Nikolai Lugansky was welcomed to play Piano Concerto No.5 (The Emperor). The atmosphere in the hall was breathtaking, and it was amazing to enjoy such music surrounded by other young people who all shared the same love for it. The final piece was Rachmaninov’s Symphonic Dances, an interesting piece in which we heard prominent parts particularly from the brass. This was then followed by a wonderful encore of Brahms.

The music, meeting the other Young Ambassadors, and everything else about the evening was absolutely fantastic, and I can’t wait to meet the others and to continue working with this project.

Natalie Brayshaw

Natalie is part of the RSNO's Young Ambassador scheme, arranged by the Learning and Engagement Department. For more information, visit the RSNO website.

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Work Experience with Learning and Engagement

The RSNO are dedicated to introducing young people to music beyond the realms of the concert hall. The Learning and Engagement department welcome work experience students to learn about how music is programmed within schools and local communities, as well as extended as a facility for learning new skills and providing a creative outlet.

Earlier this month, Guy Sutherland age 14 from Shawlands Academy joined the Learning and Engagement office for a four-day work experience placement. He shared his thoughts in the diary, below. Find out more about the Learning and Engagement department, here. 

Day 1: Monday 9 September

Over the past two days I have been at the RSNO for work experience. I have done many different things using many of my skills. I have been on the phone a lot, phoning registrars around the country and asking about the RSNO ASTAR CD, which was given to babies throughout Scotland in 2012. It was very enjoyable and gave me a great taste of what working within an Learning and Education department would be like. Later on, my supervisor and I went to a samba workshop at a different school which was very enjoyable. I met loads of different children doing the workshop and had a chance to learn more about the music and the way it is created.

Day 2: Tuesday 10 September

On my second day, I started out by making a survey on Survey Monkey about a workshop the members of the Orchestra had taken part in. It was successful, and has been sent round everyone in the Orchestra. Then I was given a spreadsheet that was to be checked and corrected for the holidays and in-service days around Scottish schools. After this, I was given the task of phoning different high schools in and around Inverness about a free coaching session on selected instruments at Eden Court. My first two days have been very successful!

Day 3: Wednesday 11 September

On my third day I started by listening to the Orchestra rehearse and then I rearranged all the RSNO’s concert guides since 1882 to 19-something which took quite a long time, but was satisfying when completed. After that I sorted out all the dates for the Scottish school holidays, in-service days and days they are in school which took very long also. But by the end of the third day I am very tired but I am enjoying myself at the RSNO.

Day 4: Thursday 12 September

On my fourth day, I finished phoning all the schools in Inverness to ask about free coaching sessions. It has greatly boosted my people skills and it has also increased my confidence massively. I helped the Library department by listing all the people who are going away at the weekend with the Junior Chorus. Then I stapled all of the music together which was fun. Tomorrow I go to Inverness which I am really looking forward to!